Don't miss: Lieder, Leaders, and Lovers

Don't miss: Lieder, Leaders, and Lovers

Sunday’s program will feature a broad range of music from from Tchaikovsky to Madeleine Dring, and it's not often one is treated to traditional Maori hunting music in the same setting as songs by Kurt Weill. Leo Doulton, who organizes the event, recognizes that unconventional nature of this program. "Absolutely, Kurt Weill almost certainly never heard Maori music, but that doesn't matter - they’re both dead."

Collin Shay - Feb 23, 2017
Riders of the Purple Sage: meet Lassiter

Riders of the Purple Sage: meet Lassiter

"It's a rare thing to get to see a world premiere opera inspired by our local culture and history, and featuring a gorgeous set by Ed Mell that celebrates the Southwest landscape. I think audiences will find the story accessible, the scenes familiar, and the music incredibly expressive and moving."

Jenna Simeonov - Feb 23, 2017
An open letter to a rude bunch of operagoers

An open letter to a rude bunch of operagoers

Maybe you were dragged to the opera against your will. Maybe you were guilted into seeing the show, because you knew someone in it. Maybe you were hangry, or maybe your ass fell asleep. Or maybe Occam's Razor applies to you and your disruptive crew, and you're rude, phone-addicted people who can't read the room.

Jenna Simeonov - Feb 23, 2017
In review: Snow

In review: Snow

"The absence of the narrative episode in which Snow White is bewitched into suspended animation by her jealous stepmother leaves a tantalizing question about how our heroine comes to be interred in a casket," writes Hurley in his director's notes. "Snow White's implied death became the conceptual starting point for approaching the three operas as a through-drama; a young woman at the end of her life searches her past for clues to her tragedy."

Jenna Simeonov - Feb 23, 2017
Riders of the Purple Sage: meet Jane

Riders of the Purple Sage: meet Jane

"Lassiter enters Jane's life and turns everything upside down. She is intrigued by and attracted to him, but also knows that he is outside her faith and his anger and hatred for the church is unsettling for her. However, he is the only man in the opera who affirms and admires her strength, while lovingly pushing back against her long-held beliefs."

Jenna Simeonov - Feb 23, 2017
Diegetic music in opera: 3 ways to use it

Diegetic music in opera: 3 ways to use it

One of the most moving examples of this diegetic music technique is in that shattering finale of Poulenc's Dialogues des Carmélites. The nuns sing the "Salve regina" as they are led hopelessly to the guillotine; one by one, the voices peter out, and Poulenc even adds the horrific sound of a guillotine, as though he wants to make you wince and weep.

Jenna Simeonov - Feb 22, 2017
Aria guides: "O! du mein holder Abendstern"

Aria guides: "O! du mein holder Abendstern"

Wolfram's aria is a pretty magical moment in Wagner's Tannhäuser. It's almost a stand-alone song within the opera, the minstrel having a musical soliloquy, and it feels much gentler, much more intimate than everything that has come before. Wolfram is singing to the evening star, thinking of Elizabeth and her sad love for Tannhäuser.

Jenna Simeonov - Feb 21, 2017
Don't miss: The Man Who Married Himself

Don't miss: The Man Who Married Himself

The Man Who Married Himself is based in an Indian folk tale, about a man who is unwilling to marry a woman, and who instead creates a lover for himself out of his own left side. "He finds himself enraptured by his creation's perfect beauty – a mirror of his own – until he discovers that this new woman longs for another."

Jenna Simeonov - Feb 20, 2017
Tomer Zvulun: The Atlanta Opera's intriguing 2017/18

Tomer Zvulun: The Atlanta Opera's intriguing 2017/18

"There are countless books about Wagner, his work, philosophy and creative process. It is an incredibly rich and profound world and one can be immersed in it for a lifetime and still be a newbie. It is especially meaningful to me as an Israeli who did not have access to his music as there have been a ban on his music in Israel for decades. Perhaps that element of the forbidden made his music even more attractive to me."

Jenna Simeonov - Feb 20, 2017
Aviva Fortunata: "It was a total blur!"

Aviva Fortunata: "It was a total blur!"

"There wasn't time for much but to put on my costume and have a quick chat with the other Norns about all the rope action. The next thing I remember is the curtain opening and then the scene ending, it was a total blur! After that, I had 16 minutes to change into my first Gutrune costume. There were at least four ladies waiting to get me ready, it was a real team effort, to say the least."

Jenna Simeonov - Feb 19, 2017

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