Is technology making it harder to tell stories?

Is technology making it harder to tell stories?

As technology develops and more and more of our problems are solved, creators of opera will be charged with finding truer and truer ways of getting to emotional heights. The challenge comes in the form of a question: now that you have the Internet in your pocket, what's left to sing about?

Jenna Simeonov - Oct 19, 2015
Hear a little opera, change some lives

Hear a little opera, change some lives

This Friday, October 23rd, at Heliconian Hall, "Duelling Divas" Kathleen Promane, mezzo-soprano, and Allison Arends, soprano, present a concert full of arias and duets. Pianist Maika'i Nash joins the two ladies, who will be looking very bejeweled indeed with accessories by designer Catherine Sequalino-Poitier. Tickets are $25 at the door and $20 in advance, available by email phone (647-833-5400).

Jenna Simeonov - Oct 18, 2015
The psychology of an audition

The psychology of an audition

On top of the fun of singer-pianist telepathy, I've gotten pretty good at the game of guessing which are the auditioners will ask for. In most auditions, opera singers present a list of about 4-6 arias; they choose which they want to start with, and after that the panel selects a second choice. The goal is for the singer to start with something they do very, very well, and for the auditioners to learn as much about that singer as possible in a two-aria span.

Jenna Simeonov - Oct 17, 2015
My WTF lightbulb moment

My WTF lightbulb moment

Artists love it when they hear an artist of another discipline speak about their work, their struggles, and their (many) moments of insecurity. It's amazing when actors have stories that resonate with writers, when writers' plights are relatable to musicians. We get to hear common tales of working hard without any recognition, of taking depressing jobs to pay bills, of getting That Big Opportunity, and whether or not it led to anything interesting.

Jenna Simeonov - Oct 16, 2015
Opera Lyra and the Five Stages of Grief

Opera Lyra and the Five Stages of Grief

There has been a distraught and saddened buzz in the opera community ever since Opera Lyra announced an immediate halt of its 2015-2016 season due to severe budget shortfalls. As the opera world absorbs this difficult hit, reactions on social media are evolving in line with the five stages of grief.

Blanche Israël - Oct 15, 2015
Bocelli & Grande: could be an opera duo, except they're really, really not

Bocelli & Grande: could be an opera duo, except they're really, really not

So, Andrea Bocelli has "graced" us (and probably a BILLION wedding receptions hence) with a new duet called "E Piú ti Penso", and although it is kinda sorta pretty, it's totally rubbing me the wrong way. It has all the proper ingredients: string ensemble, a video shot through a soft-filtered lens, a pretty pop princess, and it's written by Ennio Morricone. MORRICONE!!!

Greg Finney - Oct 15, 2015
Lynx Project: on the road with art song

Lynx Project: on the road with art song

The members of Lynx Project point out a thought that has lingered vaguely in my head since my university years: art song is rare to hear outside of an academic setting. Founded by three singers and one pianist, all graduates of the Eastman School of Music, Lynx Project is about bringing more art song to more people. It's a simple goal, and they plan to give "intimate and inclusive performances [which] challenge the traditional form of an art song recital."

Jenna Simeonov - Oct 15, 2015
Marshall Pynkoski on Armide: "Love is amoral."

Marshall Pynkoski on Armide: "Love is amoral."

It's a twist on a tragic love story that seems progressive for its 17th century creation. "By the end of the opera no one wants to feel hate more than Armide, but her tragedy is that she can now only feel love. There are no winners and no losers: love has annihilated everyone."

Jenna Simeonov - Oct 14, 2015
Opera Lyra's "immediate shutdown"

Opera Lyra's "immediate shutdown"

"Our core problem is that revenues have not grown to cover the costs of presenting high quality opera on the stage of the National Arts Centre. There are challenges in all revenue areas, including: major shortfalls in commercial sponsorships, modest shortfalls in private philanthropy, reductions in funding from the federal and provincial governments and, recently, weaker ticket sales."

Greg Finney - Oct 14, 2015
Aria guides: Una voce poco fa

Aria guides: Una voce poco fa

For the next in our series of Aria Guides, we're nodding to all the mezzos (and a few sopranos) with "Una voce poco fa" from Il barbiere di Siviglia. This is a cornerstone aria for many young mezzos, and one of the few chances they have to show off coloratura and play a girl. It's also an aria full of options. Ornamentation, cadenzas, high or low keys; there's no "right way" to sing rep like this.

Jenna Simeonov - Oct 14, 2015

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