The 'Quiet Luxury' of haute-contre Cyrille Dubois

Richard Margison is throwing a Gala in the Gardens
InterviewHighlands Opera Studio present Gala in the Gardens, in honour of their exciting initiative of creating a new, attractive theatre space. Richard Margison, famed Canadian tenor and Artistic Director of Highlands Opera Studio, is putting on quite a show, featuring jazz artists, players from the Canadian Opera Company Orchestra, and alumni singers from past HOS seasons.

Spotlight on: Maeve Palmer
InterviewFor Toronto-based soprano Maeve Palmer, learning music is "like a puzzle that you can never quite finish decoding." Currently a student of Mary Morrison's, Maeve has a great handle on the concept of patience. She writes articulately about enjoying the process of learning to sing, and the excitement she gets out of singing well.

Gems: The Anna Moffo Show
HumourYou probably know American-Italian soprano Anna Moffo as Violetta, Susanna, Manon, Cio-Cio San, Périchole, Gilda, Lucia di Lammermoor, really any lead soprano role in Italian or French, it seems. Have you heard of her Italian TV show from the 1960s, Anna Moffo Show? Television and film were always staples in Moffo's operatic career, and I think it's pretty darn impressive for a woman in Italy, 50 years ago, to have her own TV show.

Check out: Essential Opera
InterviewEssential Opera's new seasons starts October 8th in Halifax, with a presentation of Elisha Denburg's Regina at the Gilsig Series in Jewish Arts & Culture at Dalhousie University. Regina reprises along with Monica Pearce's Etiquette in Ottawa on October 16-18, in conjunction with Opera Lyra Ottawa.

Check out: Opera 5
InterviewArtistic Director Aria Umezawa and General Director Rachel Krehm, also known as the ladies of Opera 5, said to me that although they take their work and their art very seriously, they don't take themselves seriously. I think that's a great way to sum up Opera 5, a Toronto-based company that creates a full opera-going experience for its audiences. They commission new works, put up rarely heard operas, and pair their performances with food, drink, and atmosphere suggestive of the evening's entertainment.

Check out: Urbanvessel
InterviewBased in Toronto, Urbanvessel produces performances that are interdisciplinary, provocative, and based in the human voice. Past shows include Voice-Box, a boxing opera for an all-woman cast, Stitch, an a cappella opera for three women and sewing machines, and this summer's Singing River, which brought dance, poetry, singing and more to the Toronto's Don River.

Idealism & questions about unions
Op-edI'll never be quoted as saying that artists deserve to be paid less than they already do. They work incredibly hard in a specialized set of skills. I think it's important, though, to be self-aware in an industry that's ubiquitously almost out of money. Will the unions be the first to adapt to a contemporary opera economy, or should contemporary artists be the ones to take the bold steps for the sake of the industry (perhaps martyring themselves along the way)?

But, why didn't they write opera?
EditorialBefore I got into opera, I dealt with a certain list of composers. J.S. Bach, Beethoven, Mozart, Haydn, Debussy, Chopin, Scriabin, Liszt - all these guys wrote some pretty fantastic music for solo piano. Then, I started working with chamber ensembles, and my composer pool expanded to Bartók, Brahms, Sarasate, Chaminade, Poulenc, Fauré, and Piazzola. I began looking at song repertoire with singers, so I found Hugo Wolf, and realized what the big deal was with Schubert and Schumann.

Spotlight on: Jeremy Hirsch
InterviewAmerican baritone Jeremy Hirsch impressed me last season when he doubled up as both Bottom and Peter Quince in Britten's A Midsummer Night's Dream at Opera on the Avalon. Jeremy is comfortable on the opera stage, keeping busy with a mix of Mozart and new opera; he also has a great passion for song repertoire.

Beating the heat with Weill
HumourIf you're currently in Toronto, you know the heat is pretty awful indeed. So, the train of thought went thus: ugh, it's hot..."Ain't it awful, the heat?"...That show is so great. Why don't people do it more?...Ice Cream Sextet!