#TheStories, part 6

#TheStories, part 6

"It's sad to say that I feel lucky that this is the worst thing that has happened to me in this business. I wish I had done more at the time."

Jenna Simeonov - Sep 27, 2019
#TheStories, part 5

#TheStories, part 5

"Later that day, he sent me an email, in which he again referenced my 'innocence and negativity', and once again attempted to coerce me to meet with him alone at his home. I responded to this email with a reply, in which I clearly laid out my boundaries, and made requests for the parameters of our professional relationship going forward."

Jenna Simeonov - Sep 24, 2019
Talking with conductors: Francesco Lanzillotta

Talking with conductors: Francesco Lanzillotta

"Even the idea of tempo should be very flexible depending on the meaning of the words. Sometimes, even if we don't have a change of tempo written in the score, we should understand when it is necessary to move the musical line forward."

Jenna Simeonov - Sep 24, 2019
Aria Guides: Vedrai, carino

Aria Guides: Vedrai, carino

The plot thickens when we consider that Zerlina nearly left Masetto for a tryst with the Don, and pouted her way out of getting caught by basically daring Masetto to spank her for being bad. This current aria can be taken as genuine love from Zerlina, or it can be a gross display of emasculation, the operatic equivalent of saying, "Aw, did Masetto get a boo-boo?"

Jenna Simeonov - Sep 22, 2019
Aria guides: Donde lieta uscì

Aria guides: Donde lieta uscì

Lyric sopranos fall easily in love with the music that Puccini writes for Mimì. As you work with your teacher on this aria, we can help you stay on track.

Jenna Simeonov - Sep 22, 2019
Aria guides: Parmi veder le lagrime

Aria guides: Parmi veder le lagrime

In this aria, the Duke is angry that Gilda, the young woman he lied to in order to get into her pants was kidnapped (by other terrible men), and until he finds her he can't get into her pants yet. That's right: Gilda's kidnapping is bad for him.

Jenna Simeonov - Sep 22, 2019
Grand, if overlong, Henry VIII

Grand, if overlong, Henry VIII

Of course, when the music found its dramatic stride, Saint-Saëns could deliver the drama in spades.The septet (actually an octet) that closed Act II made me wonder why it was cut to begin with, for it's the perfect musical climax to the second act.

Arturo Fernandez - Sep 22, 2019
#TheStories, part 4

#TheStories, part 4

"It wasn't long after that I received a few emails from an anonymous email address, the first of which simply read, "I know I am your fantasy." I wouldn't admit it at the time, but Greg was at the top of the list of suspects."

Jenna Simeonov - Sep 19, 2019
Burlesque meets opera: OperaTease

Burlesque meets opera: OperaTease

I longed for more of this full integration of the two art forms, the burlesque and opera were truly crossing paths in this entertaining act.

Callie Cooper - Sep 16, 2019
#TheStories, part 3

#TheStories, part 3

"Finally, the evening was over and he offered to take me home in a cab. When we arrived at my apartment, he reached over and attempted to kiss me, pressing his body against me. I brushed him off and pushed him away, saying I didn’t want that and that I was in a relationship. He backed off and he drove away."

Jenna Simeonov - Sep 15, 2019

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