Christophe Dumaux

Talking with singers: Leonardo Capalbo
Interview"I will not play Carlo as a wounded bird. He may lament the many things which he has lost in life, but his cries are not in vain."

Clumsy Silla victim of inept direction
ReviewIf the themes are supposed to be timeless (and, indeed, as clear and obviously sketched out as they are in the opera's text), then should it not stand to reason that those themes would still ring true regardless of whether or not it was set in Ancient Rome or in America in 2019?

Youthful & collaborative Dido at the Unicorn Theatre
ReviewThe sense of companionship the chorus seemed to share extended to their singing which was some of my favourite of the afternoon. Together with the 7-piece ensemble led by conductor Valentina Peleggi they created some absolutely sublime, stylistically considered music.

Pandora, Lucretia & Chunky: upcoming must-sees
Editorial“Although this piece isn't directly about the myth," says stage director Amanda Smith, "I imagine that in Pandora we see what happens when the jar, or box, is opened a second time."

Talking with singers: Robert Hayward
Interview"I get a thrill working in opera, a physical and mental high to unravel the personality of different characters and to earn a living from it is an honour. The UK is blessed with great opportunities for singers young and not so young."

There's a place for us at LOC's West Side Story
ReviewEven though, of course, I knew of this story's roots in Romeo and Juliet, I was nonetheless shocked and heartbroken by these characters' deaths in the Rumble scene and then watching the rapid unraveling of Maria and Tony's lives in Act II.

Fascinating insight: rough for opera #17
ReviewWe are talking about an indeterminate and ever-changing tradition that has been developing for over four hundred years. Perhaps it is time to cast form aside entirely and explore where it is headed for the future.

Two different servings from the Opera Fest menu
ReviewBrooklyn-based Regina Opera has taken on Verdi's Il Trovatore and though they clearly have limited resources, they have staged a first-rate, fully-realized production.

Hearing the Seldom Seen
ReviewThe singers playfully (or angrily) splash about, shoot each other with squirt guns and finally land dead in the (unheated) water for the violent finale.

Alkema a world-class Tosca at WNO
ReviewTo me, Tosca is just about a perfect piece of theater. I think it's funny that it often gets dismissed as absurdly over-the-top melodrama, especially in this moment in time when Game of Thrones is so wildly popular, and the latest Avengers instalment is the highest grossing movie in theaters.