Vancouver Opera's Storybook Perfect Cenerentola

Review

Rossini is incredibly unforgiving in his lighting-fast patter, overlapping harmonies, and blistering tempi in the ensembles, and every single one was perfectly precise, executed flawlessly, and were still all funny, evocative, and playful.

A dismal opera: Werther

Review

The effect was darkly whimsical and visually captivating, allowing the drama to unravel within a framework of fiction – well-suited to the opera's poetic exaggerations and high-flying emotions.

The Mikado in the White House

Review

Although meant to generate laughs at the expense of privileged white people, it's extremely difficult today to present this show, even as gently written as it is, without entering dangerous racist waters.

The Verdi Chorus & the Walter Fox Singers: 36 years on

Interview

"These singers are also part of a whole team where they have a certain amount of responsibility as section leaders of the Verdi Chorus, and it is up to them to know their music better than anyone else and develop their musicianship."

Multifaceted success: HGO's The Phoenix

Review

In short, if this opera causes such a heady discussion about how best to fertilize our soil with culture, philosophy, and the pursuit of authentic enlightenment, it certainly deserves not only the reviews that will surely come up about it, but a whole book of Platonic dialogues as well!

Talking with singers: Gerald Finley

Interview

Shady characters aren't new for the affable Finley; before adding Iago, Baron Scarpia (Tosca), and Duke Bluebeard (Bluebeard's Castle) to his repertoire, his career was famously rooted in two of Mozart's most prominent cads, Don Giovanni (Don Giovanni) and Count Almaviva (Le nozze di Figaro).

Transcendent & ambitious: Billy Budd at ROH

Review

This production co-produced with Teatro Real, Madrid and Rome Opera is the first return of the opera to the Royal Opera stage in nearly 20 years and welcomes back the incomparable Deborah Warner, who has made a career staging Britten.

Watch with headphones: Rumspringawakening

Humour

This time, it's Rumspringawakening: L'opera ragazzo Amish, and it's definitely a must-see. No spoilers, but you should know that it's by no means safe for work.

Upcoming gems: Small but mighty & not to be missed

Editorial

You'll also hear soprano/composer Danika Lorèn's curiously titled The Secret Lives of Vegetables, and in a guarantee for laughs, the song cycle by Toronto favourite Peter Tiefenbach, Chansons de mon placard.

Mahler's Resurrection Symphony: so hopeful it'll make you cry

Review

So confident was I that I almost took it for granted; so, when Mahler's music began, it was as though it dragged me by the nape of my neck through an emotional rollercoaster I didn't know I needed.