There was a lot of drama: the LPO's Die Walküre

There was a lot of drama: the LPO's Die Walküre

This semi-staged production at the Southbank Centre's Royal Festival Hall with the London Philharmonic Orchestra had none of that. Well, except for the drama. There was a lot of drama.

Alessia Naccarato - Jan 29, 2019
Slapstick overload: The Italian Straw Hat

Slapstick overload: The Italian Straw Hat

At times the stage was so overcrowded with schtick it was overwhelming. Banana jokes, chamber pot humor and smoke machines did not add to the talents of the cast or the beauty of the music.

Callie Cooper - Jan 28, 2019
The women rule in FGO's Figaro

The women rule in FGO's Figaro

Florida Grand Opera's Le nozze di Figaro, which opened on January 26 at the Adrienne Arsht Centre in Miami, took an uncharacteristically introspective look at this iconic comedic favourite, in a production that asked all the right questions, but sacrificed some laughs along the way.

Carly Gordon - Jan 28, 2019
A staggering team effort: Star Wars in concert

A staggering team effort: Star Wars in concert

The crowd, full of fans of all ages, shared a level of love and nostalgia for the work of John Williams and George Lucas that rivals opera fans' loyalty to Verdi and Wagner.

Jenna Simeonov - Jan 27, 2019
The introvert's dream: going solo at the opera

The introvert's dream: going solo at the opera

It's a silly thing, but even the most hardcore of introverts struggle with the idea that while they sit happily alone at a table or in a movie theatre, the people around them will notice and think they're a weird loner.

Jenna Simeonov - Jan 26, 2019
Florencia en el Amazonas takes on a life of its own at HGO

Florencia en el Amazonas takes on a life of its own at HGO

Martínez's inimitable dulcet vibrato tones had a way of embodying the butterflies into which her character eventually transforms. Anybody wanting an avenue to approach this opera would do well to begin with her music, which offers this opera's most audible links with the traditional Puccinian repertoire which is her specialty.

Andrew Schneider - Jan 21, 2019
Constructive frustration from ROH's Queen of Spades

Constructive frustration from ROH's Queen of Spades

I think it is a good thing to have my sensibilities questioned. An opera score does not always need to be taken at face value and can be up to individual interpretation.

Alessia Naccarato - Jan 21, 2019
Opera + art = storytelling: a must-see event at Boston's Gardner Museum

Opera + art = storytelling: a must-see event at Boston's Gardner Museum

"The stories of Lucretia and Virginia, gruesome and tragic, were seen by audiences of the Renaissance as stories of women's battles against tyranny. These stories of these women's heroic battles seem particularly apt and poignant at present. Botticelli's paintings illustrate these alarming and urgent stories with vividness."

Jenna Simeonov - Jan 21, 2019
Haroun and the Sea of Stories a surreal, timely treat

Haroun and the Sea of Stories a surreal, timely treat

It is always tricky to adapt a book about storytelling to any medium outside of the written word, and it is even more difficult when you deal with a work which wears its political overtones like a badge of pride.

Arturo Fernandez - Jan 20, 2019
Uneven Scarlet Ibis Meditative To A Fault

Uneven Scarlet Ibis Meditative To A Fault

Unfortunately, Weisman's score does not always meet the standard that Cote sets. The issue is that Weisman's music is often relatively one-note if something of little dramatic import is going on.

Arturo Fernandez - Jan 18, 2019

Unlike other sites, we're keeping Schmopera ad-free. We want to keep our site clean and our opinions our own. Support us for as little as $1.00 per month.