In case you're curious, I'll keep writing. No, I won't write reviews of my clients' performances, nor will I try and get away with any similar sort of glaring conflict of interest. I know it's not really common for someone to do the jobs of management and criticism at the same time, but being a rare breed is alright with me.
I think Neef has been playing a different game than Canadian opera fans. He was making the COC a new hub in the international opera scene, and we were loving the big gets onstage.
I don't live in the vast world of opera, anymore, and it's fucking sad. I haven't had one of those heart-racing experiences at a live show since February. I haven't had that happy, vibrating commute home in the magical night-time after seeing something incredible; it's been a long time since I've felt the relief of taking off high heels at the end of the night, or placed those heels gently back on their shelf, for next time.
The premiere viewing of Grindr (and other conce rns) will feature Act 1: An Annotated Sing Through, where you can catch "unforgettably naughty scenes and arias" from the opera's first act, along with some delightful commentary on topics like opera development and queer hook-up culture. It's a combination of live and pre-recorded material.
FGO's production from 2018 stars Ana María Martínez as Florencia, the Brazilian soprano journeying home via the Amazon river; amid the storms and cholera outbreaks, Florencia and her fellow passengers travel into a murkey combination of fantasy and reality.
These concerts are designed to conform to CDC health guidelines, including pre-performance health screenings, partitions separating singers and accompanying musicians, and the wearing of masks where possible.
Opera people, hang in there. You're being troopers and innovators and generous people despite losing the thing you love and your ability to live comfortably. It's so awful, and my heart hurts for you guys. But when you're not being live opera singers, you're still being public figures who can set a good example and be good citizens.
But now, that last card has been revoked. Live isn't currently an option, which means neither is an acoustic sound experience. Opera companies are being generous (perhaps too generous?) with their online offerings, but none of it includes that singular experience of hearing an unamplified voice carrying over an unamplified orchestra.
Online opera is all the rage, guys. And I don't know about you, but my super serious problem right now is deciding what on earth to watch in my jammies with my big wine glass and maybe some of the cookies I made as bribery tokens while my son is potty training.
As the title suggests, this podcast is about finding bits of hope even when all your gigs are cancelled because there's a global pandemic. Schmopera editor Jenna Simeonov checks in with artists as they deal in their own ways with the loss of income, loss of motivation, and even the loss of identity.