Editorials

A weekend pick reminiscent of the good old days: Grindr (and other concerns)

A weekend pick reminiscent of the good old days: Grindr (and other concerns)

The premiere viewing of Grindr (and other conce rns) will feature Act 1: An Annotated Sing Through, where you can catch "unforgettably naughty scenes and arias" from the opera's first act, along with some delightful commentary on topics like opera development and queer hook-up culture. It's a combination of live and pre-recorded material.

Jenna Simeonov
A fresh Sunday Matinee out of Florida Grand Opera

A fresh Sunday Matinee out of Florida Grand Opera

FGO's production from 2018 stars Ana María Martínez as Florencia, the Brazilian soprano journeying home via the Amazon river; amid the storms and cholera outbreaks, Florencia and her fellow passengers travel into a murkey combination of fantasy and reality.

Jenna Simeonov
From trash to Valhalla: what's on deck this weekend

From trash to Valhalla: what's on deck this weekend

These concerts are designed to conform to CDC health guidelines, including pre-performance health screenings, partitions separating singers and accompanying musicians, and the wearing of masks where possible.

Jenna Simeonov
Guys, stop telling people to #breakquarantine because of a crowded plane

Guys, stop telling people to #breakquarantine because of a crowded plane

Opera people, hang in there. You're being troopers and innovators and generous people despite losing the thing you love and your ability to live comfortably. It's so awful, and my heart hurts for you guys. But when you're not being live opera singers, you're still being public figures who can set a good example and be good citizens.

Jenna Simeonov
Without the acoustic thrill, why are we still singing?

Without the acoustic thrill, why are we still singing?

But now, that last card has been revoked. Live isn't currently an option, which means neither is an acoustic sound experience. Opera companies are being generous (perhaps too generous?) with their online offerings, but none of it includes that singular experience of hearing an unamplified voice carrying over an unamplified orchestra.

Jenna Simeonov
A week in at-home opera: editor's picks

A week in at-home opera: editor's picks

Online opera is all the rage, guys. And I don't know about you, but my super serious problem right now is deciding what on earth to watch in my jammies with my big wine glass and maybe some of the cookies I made as bribery tokens while my son is potty training.

Jenna Simeonov
We made a podcast!

We made a podcast!

As the title suggests, this podcast is about finding bits of hope even when all your gigs are cancelled because there's a global pandemic. Schmopera editor Jenna Simeonov checks in with artists as they deal in their own ways with the loss of income, loss of motivation, and even the loss of identity.

Jenna Simeonov
Expecting magic from Opera Atelier's 2020-21 season

Expecting magic from Opera Atelier's 2020-21 season

Frankly, we should all be so lucky to get real-time commentary by Pynkoski. He's endlessly interested and interesting; he even had me craning my neck to see what he was on about with this business about downbeats being up in a choreographed fencing duel. For nearly 35 years, Opera Atelier has been putting up shows that, take it or leave it, have an aesthetic that is 100% fleshed out.

Jenna Simeonov
Roundup 2019, or why I'd prefer to just look ahead

Roundup 2019, or why I'd prefer to just look ahead

This year has certainly been different, though - and maybe you’ve noticed the change in tone since I’ve gone from being Schmopera’s primary voice, to its behind-the-scenes editor and sometimes-guest author.

Jenna Simeonov
Check out: the Irish Art Song Project

Check out: the Irish Art Song Project

“Even though I was brought up speaking Irish Gaelic, it didn't occur to me to commission composers to write on Irish Gaelic texts,” says Ní Mheadhra. “Colonization does weird things to a country.”

Jenna Simeonov

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