Expecting magic from Opera Atelier's 2020-21 season

Editorial

Frankly, we should all be so lucky to get real-time commentary by Pynkoski. He's endlessly interested and interesting; he even had me craning my neck to see what he was on about with this business about downbeats being up in a choreographed fencing duel. For nearly 35 years, Opera Atelier has been putting up shows that, take it or leave it, have an aesthetic that is 100% fleshed out.

Roundup 2019, or why I'd prefer to just look ahead

Editorial

This year has certainly been different, though - and maybe you’ve noticed the change in tone since I’ve gone from being Schmopera’s primary voice, to its behind-the-scenes editor and sometimes-guest author.

Check out: the Irish Art Song Project

Editorial

“Even though I was brought up speaking Irish Gaelic, it didn't occur to me to commission composers to write on Irish Gaelic texts,” says Ní Mheadhra. “Colonization does weird things to a country.”

#TheStories, for better or for worse

Editorial

You likely noticed that most of the stories are anonymous - but that doesn't mean I never got a name. It's a weird mix of feeling entrusted with delicate information, and feeling laden with a secret that's not mine to tell.

#TheStories, part 15

Editorial

"I drifted off, and at some point, I saw a dark figure come into the room, with two more full glasses of wine... and the next thing I knew I was fully naked, and I didn’t know where I was. I eventually just went along and didn't fight it, I was completely incapacitated and drunk, mostly asleep and hours away from home with no available help."

#TheStories, part 14

Editorial

"I haven't told people about this, and those I have, I have been very cryptic about names. This is because this man's wife is very prominent in my business, and although a part of me would love to go up to her and tell her exactly what kind of a man her husband is, I am too scared that she would not believe me, and would do her best to make sure I never work again."

#TheStories, part 13

Editorial

"It seems to be quite a non-standardized industry, so many people think they can dictate how 'the industry' is run, and they can tell that to young, inexperienced, bright-eyed bushy-tailed students, and do whatever they want."

#TheStories, part 12

Editorial

At one point, I tried to express how uncomfortable I was, my teacher told me that I was an adult and I could have left at any time. I was 20. On my way back home, my teacher's husband told me that they had decided to increase John's paycheque for all of the extra work he had put in.

#TheStories, part 11

Editorial

"Each rejection only affirmed this belief; if I really had talent, someone would want me. On the other hand, each time I did manage to be cast, I was afraid it had been a mistake, and wondered if there was some other sort of agenda. To this day I find it difficult to trust mentors."

#TheStories, part 10

Editorial

"Several years ago I was cast in a production opposite a tenor I had briefly dated. After the breakup he had harassed me and my friends, so I was dreading seeing him, but figured that as he was cast as Basilio, we wouldn't have too many scenes together."