#TheStories are coming out, and here's why

Editorial

Honestly, I wasn't even sure what I meant to do with these stories even as I was receiving them by the hour. What was to be gained by telling more stories of horrid behaviour? More cynicism? Even a boycott of opera?

Imagine a day: Mysterious Barricades

Editorial

In 15 cities across Canada, roughly 400 musicians are offering free live concerts, "for the purpose of providing healing and connection to those who are affected by suicide, either in surviving a loss or in dealing with their own mental health issues."

Upcoming of note: Opera hits in BC & Henry VIII in Boston

Editorial

On the opposite coast, Boston-based Odyssey Opera is set to offer its latest in opera's under-performed masterpieces. Saint-Saëns' 1883 opera, Henry VIII, centres on the famed love triangle between the Tudor king, his first wife Catherine of Aragon, and his soon-to-be second wife, Anne Boleyn.

Don't miss: Two Sopranos, One Friendship (and our editor at the keys)

Editorial

Plus! At the piano is Jenna Simeonov (me), founder and editor of Schmopera. Out and about and likely wearing lipstick.

Pandora, Lucretia & Chunky: upcoming must-sees

Editorial

“Although this piece isn't directly about the myth," says stage director Amanda Smith, "I imagine that in Pandora we see what happens when the jar, or box, is opened a second time."

Upcoming gems: Small but mighty & not to be missed

Editorial

You'll also hear soprano/composer Danika Lorèn's curiously titled The Secret Lives of Vegetables, and in a guarantee for laughs, the song cycle by Toronto favourite Peter Tiefenbach, Chansons de mon placard.

Vivaldi's Aztec exoticism: Montezuma

Editorial

If we look too closely with our 21st-century lens, Montezuma could be seen as problematic. Why champion the Spanish, when their colonialism was so vicious?

#COC1920

Editorial

2019/20 is a season of revivals, perhaps disappointingly so for some of the COC's longtime audience members who won't get treated to much they haven't seen before.

TSO's 2019/20 a season of (mostly) classics

Editorial

"There's nothing I like better than planning programmes," says Davis, of his enthusiastic stepping in as the TSO's Interim Artistic Director. But, eager to pass the torch officially to Gimeno, "the next season will be Gustavo's."

Familiar stories: Hook Up

Editorial

Composer Chris Thornborrow, librettist Julie Tepperman, and director/dramaturge Richard Greenblatt, dare to tell an uncomfortably familiar story that, today, is full of the themes that permeate every news story and piece of media we consume.