Time passed, life changed. But Mau Mau - the Opera had bitten deeper than I thought. I unburied all I'd written: the blocks of text, the scattered notes and sketches, laid them out, re-sequenced them, dropped and added and wrote a second version.
Back in 2015, Jenna wrote "The Opera Party Monologue", inspired by one of those crazy opera parties that happen with patrons and donors after an opening night. And now, as part of Opera Queensland's ongoing video series, "An Aria A Day", actor Hugh Parker has realized our monologue and brought it to life.
Follow the Lieder is a series of short films by Alisdair Kitchen, produced by Rye Arts Festival in association with the Royal College Of Music and National Opera Studio. As the name suggests, each video is set to German art song, among them Schubert's Versunken, Der Atlas, and Die Forelle.
In Fishenfeld's own enthusiastic words: "American Opera is approachable, relevant, relatable, IN ENGLISH, and made for YOU, the American people!"
This time, it's Rumspringawakening: L'opera ragazzo Amish, and it's definitely a must-see. No spoilers, but you should know that it's by no means safe for work.
It's a silly thing, but even the most hardcore of introverts struggle with the idea that while they sit happily alone at a table or in a movie theatre, the people around them will notice and think they're a weird loner.
Or! Don Carlo, with Plácido Domingo's hologram in the title role, and the real-life Plácido Domingo as Rodrigo? Add a little Jamie Barton as Eboli, and Nicolai Ghiaurov as Philip II? Delicious.
The folks behind Something Blue: The Bachelor Opera and Connection Lost: The Tinder Opera are back! This time, it's Someone Like Me (L'opera di Facebook), a harrowing tale of likes, validation, and rye toast. Adam Taylor writes and directs, with music by Nathan Fletcher. Baritone Jonathan Hare and soprano Amelia Berry star in the fab, sassy cast of this must-see:
But, compared with the offerings at places like Opera Philadelphia, Minnesota Opera, The Atlanta Opera, and a fast-growing proportion of other regional opera houses in the United States and Canada, the Metropolitan Opera is proving its status as an honest-to-God opera museum.
Tenor Clay Hilley knows how to pair business with pleasure: in his recital for the Wagner Society of New York on January 6, the tenor took an encore - and an opportunity to publicly propose to his girlfriend, Sara (of the very fab Shoperatic, in fact!).