Talking with singers: Matthew Anchel

Interview

"What I think happens a lot, is that you have people who are maybe more stereotypically attractive in thin bodies, who maybe have medium voices — not the best voices in the world." These singers are well promoted, Anchel says, and they get opportunities to work with opera's best. "So they get really good at singing, even though maybe their voice isn't that amazing."

Radical women & drag Don José: Chicago Opera Theater's Carmen

Interview

"Women who are independent, strong, and sexually liberated have a long history of receiving society's scorn because they refuse to break themselves in order to fit the approved mold. Carmen is many things, but a slutty, evil temptress? Nope."

Inaugural Watershed Festival to celebrate opera & musical theatre in Kingston

Interview

The virtual start to the Watershed Festival is no compromise, no placeholder for the in-person Festival set for spring 2022. "Going virtual has a number of silver linings," says Burry. "We've got people joining us from around the world, and I would imagine the best aspects of that kind of reach will always be a part of the festival moving forward."

Catching up with Enrique Mazzola

Interview

"Our city" – It was a phrase that came up often in our conversation. It's clear Maestro Mazzola already has one foot firmly planted in his newly adopted hometown. As he confessed, he is excited to spend his first holiday season in Chicago despite health restrictions and cancellations.

Haymarket Opera Company's 10th Anniversary Season goes cinematic

Interview

"What does 18th-century opera have to offer us now when we face such existential challenges? Haymarket's tenth season highlights the transformational power of beauty as presented through myth, storytelling, and exquisitely timeless music by one of western music's most empathetic and compassionate composers."

San Diego Opera's drive-in La bohème a step forward

Interview

“It's going to be like a torpedo of Mimì and Rodolfo's emotional trajectory. There's no pause to reflect. It's going to go straight through from the moment they meet until the end. As a director that's very exciting. It makes us shine a light on some of the emotional aspects that sometimes get glossed over," she adds.

"Sleep Chorus" & mask-making keep Minnesota Opera visible during pandemic

Interview

The company launched the "Sleep Chorus" to promote a special fund raising drive to compensate artists on and off stage during the pandemic shutdown while the protective masks went to organizations without access to traditional health care resources including assisted-living homes, veterinarians, blood services, shelters, and more

Talking with singers: Helen Charlston

Interview

"'Good singing' is getting the very best out of your voice; a partnership between a solid technique and a need to let your voice be heard. We all only have our own sound, and there is nothing more thrilling than listening to singers who let their voice flood out direct to our hearts."

Magic everywhere in SDO's Aging Magician

Interview

"After years of creating work after work, it becomes your life," he says about why he is an artist. "Initially, I was drawn to things just because I was fascinated by ideas. The traditional world was not where I belonged. I knew I wanted to be in the arts and I had an impulse to perform."

Spotlight on: Eszter Balogh

Interview

When I tell them I am a classical singer they generally know what it is. Sometimes they stare at me and say, "Wow, that’s crazy, you mean like Paul Potts?" And I'll say, “Yeah, something like that."