SAS Performing Arts Company
Interviews
"A grandiose spectacle" in Another Brick in the Wall: The Opera
Interview"The show itself is a grandiose spectacle indicative of traditional opera productions, but more importantly the score written by Julien Bilodeau is incredibly rich, beautiful, impressive and clever."
Talking with composers: Victoria Bond
Interview"I am quite certain that most people have no idea of what goes into composing. It is generally not accurately portrayed in film, and so much of it is not at all exciting to watch. However, discovering a new idea, a turn of phrase, an unexpected harmony – these are the precious moments a composer lives for!"
Talking with singers: Douglas Williams
Interview"At the moment I'm thinking of a project where I can bring singing and nature together. Probably a video. Probably somewhere in Nevada. Maybe text by Robinson Jeffers. Maybe music by me."
Operatic journeys: MassOpera presents Freedom Ride
Interview"I hope that the audience members will see themselves in the characters on stage, that they will be moved and inspired by the stories those characters tell, and will come away reflecting on how those stories relate to our world today."
Talking with singers: Michelle Bradley
Interview"The hard part is when I lock myself in a room and go over the score, figure out who the character is, make sure I get every pianissimo and forte, and accent and legato. When I come here, it's already engrained in me. I can just go where the director tells me to go."
Talking with conductors: Enrique Mazzola
Interview"Luisa is a character totally surrounded by men who, in that time, control her life. But her father speaks up for her. This makes me think, 'Bravo, Giuseppe! You are speaking about important things for your time.'"
Talking with singers: Rowan Pierce
Interview"To sing professionally brings with it a responsibility to create a parallel world for people to get lost in when every day life needs something else, or to provide people with an outlet for their emotions, sometimes even when they don't realise they need one!"
Talking with conductors: Francesco Lanzillotta
Interview"Even the idea of tempo should be very flexible depending on the meaning of the words. Sometimes, even if we don't have a change of tempo written in the score, we should understand when it is necessary to move the musical line forward."
AtG & UofT's Summer Modern Intensive: "They are eager. Period."
Interview"The singers all study or have studied music and want to immerse themselves in the process and see how far they can stretch themselves. It can be daunting, but they are up for the challenge."
Talking with singers: Mario Bahg
Interview"The greatest purpose is to be evaluated. Every major competition brings famous vocalists or professionals involved in music to the jury."