Op-Eds

Opera in the age of Netflix

Opera in the age of Netflix

What if there was a more direct way to accomplish this goal? What would that look like? To all the opera companies, self-producers, recitalists, and alike, let me offer the following suggestions.

Michael Heitmann
Anxiety, Art, and Purpose

Anxiety, Art, and Purpose

I know a lot of my friends and colleagues struggle with performance anxiety, and I wanted to share my thoughts here in the hopes that it might help someone else who is struggling, and open up a dialogue about anxiety and art, which I think for many of us go hand in hand.

Justin Ralph
Don Giovanni in 2018: in search of a "concept"

Don Giovanni in 2018: in search of a "concept"

And, let's be honest, we've all seen these productions, in which even basic narrative details of a piece are obscured, confused, ignored or senselessly "deconstructed" with sometimes baffling outcomes.

Laura Attridge
4 singers you might not know - but should

4 singers you might not know - but should

I browsed through some boxes and found records by Caruso, Bjoerling, Pavarotti, Tozzi, and on and on. I didn't even own a record player, but I purchased about $45 worth of vinyl at about $5 per record, and so began my latest obsession.

Neil Craighead
Theatre company responsible for Canadian singer's death goes bankrupt

Theatre company responsible for Canadian singer's death goes bankrupt

It's the question that crosses any touring performer's mind when the stage manager misses a stop sign or forgets to check their blind spot. You grip the armrests and wonder, "what if we crashed?" A year ago today, the members of one Canadian production found out.

Blanche Israël
The real reason to bring teens to the opera

The real reason to bring teens to the opera

This is a decent list of reasons to bring your teen to the opera. It's fair to add that opera is not the only place to learn these things; the list above is an argument for getting teens excited about reading, going to museums, and yes, watching well-written film and television.

Jenna Simeonov
"Sex is one of the perks of conducting."

"Sex is one of the perks of conducting."

I pose a theory, though: things are changing. I'm a woman in the industry who has worked with a number of conductors; I'm either extremely lucky, wholly unattractive, or it's true that conductors in the 21st century are, like men in all industries, getting on board with the idea of respecting their colleagues (and keeping their sex lives outside of the rehearsal room).

Jenna Simeonov
More operatic roles for women: a pledge

More operatic roles for women: a pledge

Opera plots have traditionally required dramatic, pot-boiling plots, often inspired by history. And murder, mayhem, and power have certainly been male dominated. But moving forward, successful lyric theater stories need not always be centered on these kinds of themes.

Michael Ching
The beginning of the end of my dream

The beginning of the end of my dream

This time it is different. Now I'm truly allowing myself to give it up. It is without bitterness or resentment. I am discovering all the of possibilities I still have to be a creative and an artist, and I've identified the feeling in my gut that I mistook for fear to be my intuition telling me, "you can let this go now."

Patrick Egersborg
Some uncomfortable questions about the Levine business

Some uncomfortable questions about the Levine business

When it comes to Levine's abuse of those who are younger than him and who looked up to him, I'm almost at a loss. Should he be judged for his actions in a contemporary arena, where the tolerance for is closer to zero? Should he be one who takes the fall for an industry that has turned a blind eye for too long? Should we crane our necks and look past Levine, towards the next abuser?

Jenna Simeonov

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