Reviews

Renée Fleming Brings A New Luster To Dumbarton Oaks

Renée Fleming Brings A New Luster To Dumbarton Oaks

Renée Fleming knows her audience, or in this case, the lack of one. Creating a sense of intimate occasion in the elegant music salon at Dumbarton Oaks, a Georgetown estate with a musical pedigree of its own, Fleming made her contribution to the Metropolitan Opera's MET Stars Live streaming concert series feel like a musical get-together.

John Hohmann
The concessions we make for live opera: Tosca goes up at Northern Lights Music Festival

The concessions we make for live opera: Tosca goes up at Northern Lights Music Festival

With no performances scheduled in the United States scheduled for the next six months will there still be an audience? I think so, and I hope so. Cautious performances like those put on by Northern Lights are essential to keeping the spirit of opera alive in the United States. Let us hope for more innovation and live music making in the coming months.

Callie Cooper
Watch a George Crumb music video & meet the artists: Chordless launches new project

Watch a George Crumb music video & meet the artists: Chordless launches new project

Chordless has created an intriguing piece of art with this Crumb video, and it'll be a neat experience to view it, and then have an immediate face-to-face (or screen-to-screen) with the folks who made it.

Jenna Simeonov
Opera Atelier's Together/Apart a direct line to their great artists

Opera Atelier's Together/Apart a direct line to their great artists

A total treat, though, was pianist Angela Hewitt's bit of Rameau. She was friendly and humble, and got right to the point with her camera angle, aimed at her energetic and nimble hands. Hewitt's contribution showed us how this whole thing can work well; it's solidified my hunch that finding the way to do this on-screen thing is uniquely difficult for opera singers.

Jenna Simeonov
Angel's Bone: I finally saw it and I'm never going to be the same

Angel's Bone: I finally saw it and I'm never going to be the same

Honestly, in that scene where Mr. X.E. takes a cleaver to the angels' wings, I think I had an "aha" moment. I thought I'd experienced that thing where the story is excellent and the music makes it even more excellent, but this moment was something else entirely.

Jenna Simeonov
Orlando: gender bending and the sound of androgyny in Vienna

Orlando: gender bending and the sound of androgyny in Vienna

Instead, composer Olga Neuwirth chose Woolf’s Orlando, her often funny faux-autobiography about a young nobleman in the court of Elizabeth I who awakens one morning as a woman and proceeds to roam about time and space for the next 300 years.

John Hohmann
A case for relatable Handel: ABOC's Rinaldo

A case for relatable Handel: ABOC's Rinaldo

I felt like I was actually in a garden surrounded by drooping blossoms, or actually at the opening of a cavernous hole. Throughout I got the sense that this was a production that put a great deal of effort into engaging the senses all at once and imparting an aura of wonderment.

Andrew Schneider
Marian's Song: a poignant, hopeful message

Marian's Song: a poignant, hopeful message

Some variant of this sentence appears in many a history textbook at some point, but only rarely can it hope to make the sheer impact that Marian's Song did in Houston Grand Opera's world premiere performance.

Andrew Schneider
An enduring Beethoven's Ninth with the Vancouver Academy of Music

An enduring Beethoven's Ninth with the Vancouver Academy of Music

Under the assured baton of conductor emeritus Leslie Dala, the program brought together the young professional-level orchestra with the veteran vocals of amateur Vancouver Bach Choir, along with four professional soloists, and featured a delightful performance of Concerto No. 4 by Ian Parker at the keys

Sam Darling
Agrippina and the elephants in the room

Agrippina and the elephants in the room

This production doesn’t need that dumpster fire when it can rummage through an abundance of its own trash. Quite simply the elephant is an acknowledgment that bad behavior by people in power is timeless.

John Hohmann

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