Christophe Dumaux
Reviews

Room & Board hosts hilarious triple-bill
ReviewAnd yet, something about the confines of the store were perfect for producing the triple-bill of short operas by Jonathan Bailey Holland that graced Room & Board, courtesy of Boston Opera Collaborative, and it led to a very entertaining, and frequently hilarious, night at the opera.

A fab kick-off to the FireWorks Festival: Belle Darling Klondike Queen
ReviewIt's not just a historical vaudeville hoot, but it's as different as it could be from the other two on the line-up - the social-media tragedy of Crystal Wood's Grief Circus, and the feminist-Cinderella of If the Shoe Fits.

Stellar performances from a star cast in Chicago's Dead Man Walking
ReviewGraham's performance is gut-wrenchingly sincere and she's as vocally resplendent as ever, even when her voice seems on the verge of breaking with emotion.

Ambitious & epochal: Saul at Houston Grand Opera
ReviewThe performance I saw was a microcosm of Houston at her best, a perfect example of the glorious, if not uncontroversial, results of numerous talented individuals combining their efforts to create something far bigger than the sum of its parts.

Treat yourself to WNO's Magic Flute
ReviewA cast of charismatic singing actors with impeccable comic timing to go with their across-the-board excellent Mozartean singing are the whipped cream and cherry on top of this operatic ice cream sundae.

Karah Son a "true jewel" of Opera Omaha's Madama Butterfly
Review"Son's entire demeanor shifted in this scene from distraught mess to calm intensity. The effect was quite jarring, ending the opera with a truly tragic shock."

Revived Maria, Regina d’Inghilterra A Crowd-Pleasing Guilty Pleasure
Review"I absolutely believe the program's assertion that Pacini was Rossini's main rival for the bel canto crown during the peak of his career."

Moral dilemmas & an excellent quartet: HGO's Rigoletto
ReviewAs Rigoletto leaves the party, we see the true depth of his character. As Mayes interprets him, the jester is very fidgety, his routines a compulsive series of tics that he feels compelled to practice even when nobody else is around, very much the modern laborer trapped in his work.

This Medium packs a punch
ReviewThe amount of emotion and energy she put into her character's maniacal laughter, fear, abusive pummellings and Jekyll-and Hyde remonstrations of poor pitiful Toby were awful to observe – and I mean that as a compliment.

"Incredibly clever" Trittico onstage in Victoria
ReviewAviva Fortunata as Giorgetta is a standout in Tabarro, with a warm full soprano, and barely-contained frustration and anger at being made to stay on the boat. Her desperation when she tries to leave her estranged husband is palpable as she nearly betrays her plan to escape.