No Explanation Needed

Review

Opera composers who write their own libretti are rare and with good reason. Musicians train in the land of notes and chords but structuring a good piece of theatre requires a different skill set. In the case of The Impossible She, presented by Rhymes with Opera (as part of the New York Opera Fest) composer Daniel Thomas Davis should have stuck with what he does best.

Great stars & great direction: Andrea Chenier at ROH

Review

It is an increasingly rare occasion to feel moved in the way I was watching this performance when I go to the opera now. Perhaps I'm spoiled; too much of a good thing, and all that.

Jubilee: a truly educational experience

Review

This mix of breaking down the fourth wall, group narratives and of course, lots of singing provided for a wonderful and unique theater experience. I have had little to no experience with the Negro Spiritual genre, and Jubilee was truly educational experience.

A Pandora's Box of artistic collaboration

Review

Storen, Glaser, and Soden's teamwork resulted in a score that really is like a Pandora's box. It is a complex kaleidoscope of sound worlds with flavours of new-age, atonal, and modernist experimental styles.

Clumsy Silla victim of inept direction

Review

If the themes are supposed to be timeless (and, indeed, as clear and obviously sketched out as they are in the opera's text), then should it not stand to reason that those themes would still ring true regardless of whether or not it was set in Ancient Rome or in America in 2019?

Youthful & collaborative Dido at the Unicorn Theatre

Review

The sense of companionship the chorus seemed to share extended to their singing which was some of my favourite of the afternoon. Together with the 7-piece ensemble led by conductor Valentina Peleggi they created some absolutely sublime, stylistically considered music.

There's a place for us at LOC's West Side Story

Review

Even though, of course, I knew of this story's roots in Romeo and Juliet, I was nonetheless shocked and heartbroken by these characters' deaths in the Rumble scene and then watching the rapid unraveling of Maria and Tony's lives in Act II.

Fascinating insight: rough for opera #17

Review

We are talking about an indeterminate and ever-changing tradition that has been developing for over four hundred years. Perhaps it is time to cast form aside entirely and explore where it is headed for the future.

Two different servings from the Opera Fest menu

Review

Brooklyn-based Regina Opera has taken on Verdi's Il Trovatore and though they clearly have limited resources, they have staged a first-rate, fully-realized production.

Hearing the Seldom Seen

Review

The singers playfully (or angrily) splash about, shoot each other with squirt guns and finally land dead in the (unheated) water for the violent finale.