Glitter and flair: Queens of the Night

Review

It is best not to overanalyze the production, as it was, for lack of better words, a wickedly entertaining opera-themed drag show. The evening's show followed a plotline involving Martha Graham Cracker's desire to impress her crush, Blythely Oratonio (Stephanie Blythe's drag king alter ego.) Throughout the performance, there were musical numbers, which were very clever arrangements, combining pop music with operatic motives (such as "I Want To Break Free" combined with "Quando m'en vo.")

The astonishing product: Glass Handel at O18

Review

As the audience made their way to seats, there was a rising sense of tension. We had been informed at least six times that we would be moved around during this multimedia event. One had to question why there were so many disclaimers. Do we really want a stranger moving our chairs during a performance? Well, it turns out, yes we do.

Racette an unmissable Elle in O18's Ne Quittez Pas

Review

Delivering a one-person show is an arduous creative task to accomplish, and Racette does it with astonishing success. When the monodrama is finally over, it takes a moment to return to reality, as Racette has completely transported her audience to Poulenc and Cocteau's world.

LA Opera season opens with The Rodrigo Show

Review

Morris Robinson hits his third home run in a row at LA Opera as the blind, self-righteous, single-minded Grand Inquisitor. Having wowed us as Zaccaria in Nabucco, and Sparafucile in Rigoletto, he’s become a regular at LA Opera and he lifts any production to the sublime in any role that he plays.

Odyssey Opera's grand La reine de Saba a great season opener

Review

Odyssey Opera's work restored all of the finales of the middle three acts to their complete forms, with a note in the program adding that they believe most of the material they restored had never been heard prior to their performance. That this content was cut to begin with should come as an absolute shock: the restored content felt absolutely vital to how the work unfolds dramatically.

Brenda Rae earns her ovation in O18 Lucia

Review

As a musical force, opera is an art form that relies on the power of the unamplified human voice to move audiences. The voices of this cast undoubtedly provide the power to bring this opera to life. Whether you have never seen Lucia before, or you are a bel canto connoisseur, these vocalists and musicians make for a rewarding and awe-inspiring night at the opera.

Sky on Swings a must-see of O18

Review

The most captivating moments in the opera are those that involve only von Stade and Simpson together onstage. They create a sense of emotional intimacy and truth, by superb acting and unshakable presence. Their performance is the epitome of genuine artistry and truthful expression.

Psycho meets Sartre at the Nigredo Hotel

Review

Director Alan Corbishley describes Nigredo (blackening) as a process that ancient alchemists believed was necessary to create the Philosopher's Stone, and thus find immortality. In psychology, this process is a metaphor for the "dark night of the soul" that is necessary for a person to confront in order to reach acceptance of oneself.

Lyric Opera kicks off a starry season at Millennium Park

Review

The night's theme, (and requisite hashtag) #LongLivePassion was on-point — we were treated to some of opera's most impassioned moments from Puccini's beloved "O mio babbino caro" to the seductive "Mon coeur s'ouvre à ta voix" from Saint-Saën's Samson et Dalila. It was a glamorous, fun-filled night that featured the headliners of the Lyric's upcoming production of La Bohéme as well as four young artists from the Patrick G. and Shirley W. Ryan Center.

A summer Mozart menu

Review

After such a substantial appetizer there was a reasonable interval before the entrée. It is at this point appropriate to mention the reconfiguration that Mostly Mozart brings to David Geffen Hall. The stage extends beyond the proscenium into the auditorium. Seating is placed at either side of the extended portions of the stage and, when a chorus isn't performing, behind it.