The Lady steals the spotlight in ROH's Macbeth

Review

What Verdi does illustrate brilliantly is the power struggle and fight for status between this couple. Who is the driving force behind all of these horrible acts? It could be either one of the power-hungry duo, although at times it's clear that behind every powerful man there is an even more powerful woman.

Strong despite the details: Rigoletto in Minnesota

Review

The musicality and the drama reached its peak with the final scene. The electricity coming up from the pit was so palpable, I felt physically ill when Rigoletto held his daughter for one last time. Despite a few issues with the production itself, the power of the story came through.

BLO's Threepenny Opera: a misanthropic delight

Review

And then Kelly Kaduce came onstage: when her Polly Peachum walked on in an unglamorous wedding dress and unkempt black hair playing a sarcastic, monotone version of the typical operatic ingenue her character is written as, it became clear exactly what the work was setting out to do.

Review: ALICE and the Patriarchy

Review

The gallery setting served Prescott's creation. The piece thrives on intimacy. The audience benefits from the freedom to wander around, whisper to their neighbor, and collectively figuring out how to behave in and interact in the brightly lit environment.

Review: New music quartet entertains and bores

Review

In the second section, the ensemble collectively sustained a layered, nuanced, morphing wail. Imagine an emergency foghorn exploding a metropolitan soundscape, triggering car alarms, and galvanizing old-timey constables to lay on their whistles. Think a Lichtenstein-ian Whaam! Blam! Pop! in musical form.

Fellow Travelers is "luminous" in Chicago

Review

The chemistry between these two singer-actors in their respective roles was electrifying and irresistible. Your heart soared watching their passion ignite and then sink as their lives and personalities diverged.

Transfixing: Soundstreams presents Tan Dun's Water Passion

Review

Michelle Colton, Aiyun Huang, and Ryan Scott showed what true musical versatility means, playing timpani, water (yes, they actually played the water - sometimes with cups to create a neat effect that reminded me of horses galloping through water), cymbals (which they would then dip in the water to create new effects), singing prayer bowls and that's just in the first two movements.

Jerry Springer - The Opera hits New York

Review

But why be churlish when songs like "Diaper Man," "Him Am The Devil" and the production number, "This is My KKK Moment," tune up this gleefully lewd production? In fact, you would be advised to just sit back and be a complicit member of the audience that comes pre-stocked with an immensely talented group of misfits longing for their 15 seconds of fame.

Orpheus & Eurydice in the hands of a theatrical genius

Review

Though he has a decades-long, international reputation for his ballets, Mr. Neumeier's ingenious and beautiful choreography is only part of the story, or rather "his" story. Writers are supposed to write what they know; in this case, Mr. Neumeier directs what he knows. This is the famous opera written by Gluck in 1774, but it's no longer the travel and travail of a musician.

Celebrating Bernstein in Chicago: "How can one not be enchanted?"

Review

How can one not be enchanted? This is the same Bernstein-ian smile I recognize in my teachers' recollections of their mentor, the same smile that, to my ears, permeates his whole artistic output, and the same smile that suffused the Lyric Opera of Chicago's commemorative Bernstein concert this past Saturday at the Lyric Opera House.