In review: Fawn Opera's L'homme et le ciel

Review

Friday night, I went to a workshop presentation given by Fawn Opera & New Music. They presented three excerpts from their latest operatic project, L'homme et le ciel by Canadian composer Adam Scime, with text by Ian Koiter with a French translation by Eric Démoré.

In review: Isabel Bayrakdarian and Tafelmusik

Review

On Thursday night I went to see the Tafelmusik orchestra perform with Canadian soprano Isabel Bayrakdarian in a concert with a good title: Rival Queens. The queens in this case are 18th-century operatic divas Francesca Cuzzoni and Faustina Bordoni, who were in a famous feud throughout their careers, resulting in onstage catfights and general shallow rivalry.

In Review: Essential Opera's Triple Bill

Review

This past weekend, Essential Opera achieved a true feat in the Canadian opera scene: they presented a triple bill of Canadian works, all brand new. It was really exciting to see an event like this in Toronto; to hear Canadian opera, you most likely need to attend something involving Tapestry New Opera Works.

In Review: Tap:Ex Revolutions

Review

I saw something beautiful on Friday night, and I'm not quite sure I can even tell you what it was. I can tell you that it was the inaugural presentation of Tapestry Explorations: Revolutions, and that it left an impression on me. The evening seemed to evolve on its own accord, beginning with understated and subtle entrances by performers Neema Bickersteth, Andrew Love, Andrea Ludwig and Adrian Kramer.

Go, Canada!

Review

I went to hear some music by Canadians yesterday at the Richard Bradshaw Amphitheatre, as part of the Free Concert Series (that you should all be checking out!). It was a chance for the public to hear some of the products of the ongoing Canadian Art Song Project, headed by artistic directors Lawrence Wiliford and Steven Philcox.

In Review: Stiffelio

Review

On Sunday, I attended the final show of the season by Voicebox: Opera in Concert at the St. Lawrence Centre for the Arts. They presented Verdi's Stiffelio, one of his lesser-known opera written after Nabucco and Ernani, but before La traviata and La forza del destino. I'd certainly never heard of it, so I was curious.

In review: Albert Herring at UofT Opera

Review

So much celebration happened on Thursday night. Director Joel Ivany celebrated the opening night of his production of Benjamin Britten's Albert Herring in the MacMillan theatre at the University of Toronto. UofT celebrated the 50th anniversary of its first opera performance in 1964: Albert Herring. And of course, everyone celebrated Albert the Good.

In review: The Talisker Players' Bestiary

Review

I went to a concert on Tuesday night, one of the Talisker Players' main concert series at Trinity St. Paul's United Church. I'd never been to see the Talisker Players, but I was lured both by singers Norine Burgess and Geoffrey Sirett, and by the evening's title: Creature to Creature.

In review: Opéra de Montréal's Atelier Lyrique joins the COC Ensemble Studio

Review

Each year the COC Ensemble and the Atelier lyrique de L'Opéra de Montréal send several of their respective artists on a week-long exchange. The artists travel to Toronto or to Montréal to work with teachers, coaches and dramaturges at the opposite company, and give local concerts highlighting the visiting singers and pianists.

Album Review: Guitarias

Review

This week, Canadian baritone and guitarist Doug MacNaughton releases Guitarias. It's his debut recording on the guitar, fusing what's clearly been two important elements to Doug's life as a musician.