Show stealers in Enigma Chamber Opera's Prodigal Son

Review

The attention to detail in the characterizations extended to everyone else afterwards, as well. Matthew DiBattista brought a certain hesitancy to the Younger Son that made him endearing, even when he sang more confidently.

Sproule sings a rich, effortless Carmen in Victoria

Review

Pacific Opera Victoria’s season opener for 2022 is Carmen, taking a traditional look at a very traditional opera, but with a few excellent updates.

Carmen doesn't quite commit at Lyric Opera of Kansas City

Review

I wasn't sure where Jackson's interpretation lands on the scale of "bad girl", which was the main tag the company used in advertisements. On one hand, there was an impressively choreographed fight in the beginning between Carmen and another factory girl, where we saw Carmen's aggression.

"A very original genius": playing Frida Kahlo at San Diego Opera

Interview

"Frida is very well portrayed in this music, which is fabulous," says Paz. "The music reflects the pain that she was suffering. It reflects the great courage that she had in life. She was a kind of mischievous, rebel woman. That's very clear in the score and musically."

La bohème reliable as ever, even in reverse

Review

It is surprising how little effectiveness Puccini's score loses when performed in reverse order, and the score still lands each emotional beat even when the context feels radically different.

Cosmic Cowboy a strong premiere, despite a cursed opening night

Review

The score's harmonic language is relatively simple, but it is also quite full of little treasures like this, and I found myself enamoured by it by the end.

Calgary Concert Opera returns with regal love triangle

Interview

"This production of Roberto Devereux will be a really intimate performance for the audience," says King. "In this format, you'll really feel the emotions Donizetti has woven so brilliantly in his music."

Michael Spyres at the Park Avenue Armory: big voice in an intimate room

Review

Spyres was at home, in his element and began the downsizing process to serenade us with exquisite high notes that seemed to come out of nowhere only to blossom as the poet found his with love and the universe.

A queer-friendly Figaro out of Manitoba Underground Opera

Review

As a singer transitioning out of a performing role and into the role of an audience member, board member, and now reviewer, it is surreal to watch this company grow as a spectator on the outside.

High expectations and opera + rock climbing in Gould's Wall

Review

Our artist, Louise, invokes Canadian classical music icon Glenn Gould to guide her as she climbs to the apex. Interspersed with her journey we are offered a glimpse inside Gould's mind through a series of memories.