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In review: Rowan Pierce & the London Handel Players

In review: Rowan Pierce & the London Handel Players

The London Handel Players gave us a fresh program of Telemann and Handel, showing us the very long lasting friendship and musical relationship between the two composers. Adrian Butterfield opened the concert by sharing the story of these two law students who much preferred composing music to studying the law - and if you had a musical brain that produced the Messiah, wouldn’t you drop out of law school, too?

John Beckett
Kira Braun: "So much music, so little time..."

Kira Braun: "So much music, so little time..."

Toronto-based soprano Kira Braun is one of those singers whose unselfish love of her craft is crystal clear. Following its official launch at Gallery 345, Braun has released The Echoing Air, an album of music by Purcell, Poulenc, Bellini, and Schumann with pianist Peter Krochak.

Jenna Simeonov
Don't miss: the 2nd annual New York Opera Fest

Don't miss: the 2nd annual New York Opera Fest

"New York is a magnet for talented and ambitious people, and we are seeing the benefits of the flowering of civic opera companies in the 60's onward who exposed people at a very young age to opera, and who are now grown up and want to participate and create. We are also seeing the benefits of our more connected industry."

Jenna Simeonov
5 opera crossovers we're dying to see

5 opera crossovers we're dying to see

The combination of his belching, singing, and loud drunken soliloquies is enough to wake up the grouchy Fafner, a dragon who values his sleep. Surprisingly, Falstaff's jolly demeanour diffuses the usual rage that Fafner feels upon being woken up; the dragon takes the knight up on his offer for more wine, and the two get along famously.

Jenna Simeonov
There's a new Klingon opera in the works

There's a new Klingon opera in the works

It's true! If you're a fan of Star Trek, you're well aware of the Klingon culture's appreciation for opera. 'u', the so-called "First authentic Klingon opera on Earth" by Eef van Breen, Kees Ligtelijn, and Marc Okrand, was put up in 2010 in The Hague to sold-out crowds.

Jenna Simeonov
Don't you deserve a little Spotlight?

Don't you deserve a little Spotlight?

We have an ongoing list of artists to keep an eye on, and we want your help in expanding that list. So, if you know an artist who deserves a little spotlight, let us know! Call them out in the comments, or get in touch directly at [email protected].

Jenna Simeonov
In review: Kitty Whately & Joseph Middleton at Wigmore Hall

In review: Kitty Whately & Joseph Middleton at Wigmore Hall

But from Whately's performance, you would never know the extenuating circumstances at play. Her demeanor was calm and elegant, her expression was engaged, and we felt like we were watching someone who just revels in the joy of singing. Together with pianist Joseph Middleton, the two acted as painters together, showing us beautiful scenes in a program inspired by themes of nature.

John Beckett
Familiar stories: A Wedding Reception (gone wrong)

Familiar stories: A Wedding Reception (gone wrong)

As we finally met the newlyweds, Will & Kate, what stayed funny was the familiarity of the entire scene. The stereotypes were well-chosen, and they allowed the diners some common ground for conversation with their table-mates. The short interactions at the top of the show between "guests" and actors continued to pay off; the audience felt connected and in-the-know with this weird family, freeing them to shout out their two cents at the goings-on. ("What a twat," was one oft-proclaimed phrase from our table.)

Jenna Simeonov
5 reasons to get your drama fix from oratorio

5 reasons to get your drama fix from oratorio

Leave it to Krzysztof Penderecki, the Polish composer known for writing terrifying music, to bring to life every detail of the Passion according to the Gospel St. Luke. His St. Luke Passion is an eerie, uncomfortable, atonal setting; it's scored for three choruses, a boys chorus, three soloists, a narrator, and a huge orchestra that includes odd instruments like saxophones, vibraphones, and a harmonium.

Jenna Simeonov
In review: Carmen at Nashville Opera

In review: Carmen at Nashville Opera

The story is all too familiar: girl meets boy, girl loves boy, when girl changes her mind...boy goes bananas. Carmen is a complicated role that requires both vocal dexterity and superior interpretive choices. Fortunately for us, Nashville Opera's Carmen, Ginger Costa-Jackson, goes above and beyond those requirements. Ms. Costa-Jackson, a native of Italy who has made a name for herself singing the titular role, was enchanting as Carmen.

Tracy Monaghan

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