Nick Fletcher: reps at the ROH

Interview

"It's taken me a long time to realise that as a rep you're not just a piano player meekly sitting in the corner, but instead a wide-ranging and versatile musician whose ideas, even if ultimately rejected, should still be part of the creative process that happens in the rehearsal room."

3 ways your English is showing

How-to

There are idioms in every language, and that's what we hear when someone speaks with a foreign accent. It's handy for singers to identify some of these habits and idioms that keep them from sounding comfortable in a non-native language. So, we've identified three big linguistic tells for North American English speakers, and how to keep them from foreign language mastery.

In review: Alek Shrader at Wigmore Hall

Review

There seemed to be two versions of Alek Shrader, one who was invested in singing well and communicating deeply, and another who was humble, perhaps a bit shy, and who relished the chance to move the spotlight onto Vignoles for the fun piano part in Rossini's tarantella.

Talking with singers: Craig Irvin

Interview

Perhaps not surprisingly, Irvin learned some big truths about his singing life from being an amateur comic. "If it was about the applause, I wouldn't have gotten up and done it again," he explains. "It was about the performance. That's what I'm drawn to most of all."

One mezzo's Met debut: "I just can't wait."

Interview

We carry a flag, the Metropolitan Opera flag, but also the opera flag in a general sense. We are ambassadors of this art form and everyone really knows this, and they are so helpful and supporting of our jobs and of the fact that we are here to learn from them. They always get so happy and excited when I tell them I'm one of the Lindemann singers!

Talking with singers: Sidney Outlaw

Interview

"I try my best to lead by example," he says. Outlaw sees his singing as an opportunity for putting something positive in the world, "to perform and sing and be a blessing in people's lives, so if they have that kind of hate in their heart, when I'm done with them, they don't any more."

Women in the arts: is it our turn, yet?

Editorial

And what if they remain ignored? What if women never make up 50% of our conductor, choreographers, and General Directors? Does that mean that our artistic experiences have been, and will always be, limited? Are we missing out on masterpieces without more women calling the artistic shots? Are there certain avenues of the arts that women are simply less interested in pursuing, like technical direction or stage direction?

In review: Così fan tutte at ROH

Review

It's not a bad solution to look to the show's theatrical context, itself a way of addressing the suspended disbelief. If the action takes place in a theatre, each scene can be something new, even heavy-handed in its symbolism. There are chorus members and stage crew to help create scenes that depict temptation, or a fab wedding banquet, or an entire train station.

In review: Renée Fleming joins opening night at the TSO

Review

After three encores that included a sing-along of "I Could Have Danced All Night" and "Summertime", her third encore closed the show with a touching and soaring rendition of "O mio babbino caro". The ovation went on for what seemed like several minutes and people were reluctant to leave their seats.

Big history & big operas: Festival Verdi 2016

Interview

From October 1-30, the Festival Verdi takes over theatres in Parma and Busseto for their annual celebration of Giuseppe Verdi. On the performance line-up for 2016 are Il trovatore, Giovanna d'Arco, I masdanieri and Don Carlo; plus, the month is filled with gala concerts, recitals, and community building programs, like Emozioni Under 30, Il piccolo Verdi, and their Verdi Off series.