Amici e Rivali: Two gentlemen and friendly rivalry in Verona

Review

Some listeners may prefer moderation when it comes to the tenor based pyrotechnics that ignite this recording. Soaring high notes and vivid vocal coloring create sure-fire thrills but thrills depend on relative rarity and risk being diminished by such concentrated exposure.

An embarrassment of riches: The Sopranos of Winnipeg

Review

I'm going to write this as a live-blog, as one of the advantages of attending virtually is you can type as you listen, instead of having to remember all your thoughts from the concert!

VO finds its voice in La voix humaine

This production has been a huge redirect for VO, and they have coped with it with creativity and great success both artistically and technologically.

"Bewitched" by Les Délices: Captivating in Cleveland

Review

Nagy and her group appear in the perfect environment for their naturalistic style of video that revels in dramatic fades to black, subtle cross fades and deft use of camerawork and lighting. The passing from day to night, from a sun-filled hall to one of intense lighting and dramatic shadow, is visually alluring.

Haymarket Opera Company's 10th Anniversary Season goes cinematic

Interview

"What does 18th-century opera have to offer us now when we face such existential challenges? Haymarket's tenth season highlights the transformational power of beauty as presented through myth, storytelling, and exquisitely timeless music by one of western music's most empathetic and compassionate composers."

American composers "Play" for Stephen Powell

Review

Wrapping his selection of American art songs with works from poets who are celebrated and time-honored masters may partially explain why Powell has arranged the songs somewhat thematically rather than by composer. Whatever his rationale, "Billy in the Darbies" remains the soul of this undertaking.

San Diego Opera's drive-in La bohème a step forward

Interview

“It's going to be like a torpedo of Mimì and Rodolfo's emotional trajectory. There's no pause to reflect. It's going to go straight through from the moment they meet until the end. As a director that's very exciting. It makes us shine a light on some of the emotional aspects that sometimes get glossed over," she adds.

"I used to sing"

Op-Ed

In a pandemic-ridden world, this is my call for kindness, patience, and compassion. It all begins with schmoozing.

Opera in the Outfield: not perfect, but welcome

Review

On the micro level, the Twin Cities has a thriving opera and theater community filled with small grassroots companies. I hope these companies survive and continue to engage their audiences until live performances are safe.

André Tchaikowsky's only opera: The Merchant of Venice

Review

Throughout his career his dedication to Shakespeare was unwavering. It was said that he could recite extended passages from Shakespeare's work with eloquence often surpassing that of cultivated speakers in his England, his adopted homeland.