The ever-relevant classic: ROH's Marriage of Figaro

Review

Somehow, though now over two hundred years old, it maintains a certain freshness. Even a standard production like this 2006 David McVicar classic which this season sees its sixth revival run at the Royal Opera, still feels relevant.

Bring your tissues to DMMO's La bohème

Review

The main factor that makes or breaks a production of La bohème is the cast. The six lead characters must have comedic timing, dramatic chops, and believable chemistry. This opera is so popular precisely because all the characters are realistic and likeable.

Don't let the upbeat tunes deceive you: DMMO's Candide

Review

If you're looking for a theatrical farce that will leave you with a lot of questions about the human condition, then look no further than Des Moines Metro Opera's charming production of Candide.

All that glitters: WTO's magical double-bill

Review

Jonathan Knipscher designed glorious costumes across the board - Merlin's sequined suit, sequined tracksuit, sequined capes for the mermaids… Basically a lot of sequins that were complemented by shimmery curtains designed by Julia Noulin-Mérat.

Bon Appetit indeed: don't miss Muse 9's delicious, musical menu

Interview

"Julia Child was a woman of vision and passion, who carved her way through male dominated industry with grace and sense of humour. Even living in this modern day society, we as women are often faced with challenges and roadblocks that differ from men."

NEMPAC's innocent, affecting, slightly uneven Little Prince

Review

One may ask oneself if the hyper-tonal, rather simplistic harmonic and melodic language of the source is perhaps too accessible for opera, but in my case I am not so certain it could have been done any other way.

Talking with singers: Jennifer Zetlan

Interview

"I love to tell stories and I love great music, and I can't imagine a better blend of the two! That I get to do it for a living constantly astonishes me, no exaggeration."

Don't miss: Macbeth in Vancouver

Interview

"Treachery, swordfights, murders, wild women in the woods telling the future…what isn't to love? And the way Verdi tells the tale musically, he really makes my job easy – I just have to listen to what the music is asking of us."

Thomas Guthrie on puppetry and opera: "It's really magical."

Interview

"The biggest thing is believing yourself that the character is real, is alive. Then it draws on your own experiences, your own emotions, in order to communicate."

Stonewall: "Uplifting and eerily timely."

Interview

"I hope audiences will walk away inspired, with renewed strength to fight back against the oppression of marginalized communities."