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Oper Frankfurt announces gutsy 2019-20 season

Oper Frankfurt announces gutsy 2019-20 season

As far as I'm concerned, the more Shostakovich the better. The composer belongs to a group of masters – including Scriabin and Chopin – whose work reaches vocal music devotee's ears far less than it should. Lady Macbeth's explosive score teems with a pathos that lives up to its fascinating offstage history of censorship under Stalin.

Jeremy Hirsch
A very Canadian La bohème: the latest in Opera for Toronto

A very Canadian La bohème: the latest in Opera for Toronto

The preparation for this single show can stretch over an entire season, with input from the multiple teachers and coaches who come to work with the young artists throughout the year.

Jenna Simeonov
Installation Handmaid's Tale a dramatic, chilling staging

Installation Handmaid's Tale a dramatic, chilling staging

There is so much to like musically because Ruders stays true to Atwood's novel while finding time to let the music tell the drama on its own that it is indeed a good thing that it has finally found its cultural moment.

Arturo Fernandez
A lesbian chamber opera to span centuries: Pomegranate

A lesbian chamber opera to span centuries: Pomegranate

"It shows how lovers can be so deeply bonded that they remain loyal to each other across huge time spans and are once again drawn together, even without recognizing why, just acting on instinct."

Jenna Simeonov
Sanitized tragedy: La traviata in Minnesota

Sanitized tragedy: La traviata in Minnesota

Violetta's most vulnerable moments were during the overtures behind a scrim. In the initial overture Violetta was seen revving herself up for the party between coughing fits, and before the final act Violetta dreams that Alfredo is still with her.

Callie Cooper
Talking with singers: Stephen Costello

Talking with singers: Stephen Costello

"In my off time, I come home. My wife Yoon and I live in NY. She plays violin in the orchestra of the Metropolitan Opera. I don't get enough of a chance to see her and I'm hardly ever at home."

Eva Cahen
Pomakov a dominating devil in Vancouver Opera's Faust

Pomakov a dominating devil in Vancouver Opera's Faust

The austere, dark sets and costuming were paired with relatively austere stage direction from François Racine. While the intention may have been to let the music speak for itself, in this case it seemed to slow the pace of the show, and gave the performers little to do on stage.

Melissa Ratcliff
Vancouver Opera's Storybook Perfect Cenerentola

Vancouver Opera's Storybook Perfect Cenerentola

Rossini is incredibly unforgiving in his lighting-fast patter, overlapping harmonies, and blistering tempi in the ensembles, and every single one was perfectly precise, executed flawlessly, and were still all funny, evocative, and playful.

Melissa Ratcliff
A dismal opera: Werther

A dismal opera: Werther

The effect was darkly whimsical and visually captivating, allowing the drama to unravel within a framework of fiction – well-suited to the opera's poetic exaggerations and high-flying emotions.

Carly Gordon
The Mikado in the White House

The Mikado in the White House

Although meant to generate laughs at the expense of privileged white people, it's extremely difficult today to present this show, even as gently written as it is, without entering dangerous racist waters.

Loren Lester

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