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Upcoming gems: Small but mighty & not to be missed
EditorialYou'll also hear soprano/composer Danika Lorèn's curiously titled The Secret Lives of Vegetables, and in a guarantee for laughs, the song cycle by Toronto favourite Peter Tiefenbach, Chansons de mon placard.

Mahler's Resurrection Symphony: so hopeful it'll make you cry
ReviewSo confident was I that I almost took it for granted; so, when Mahler's music began, it was as though it dragged me by the nape of my neck through an emotional rollercoaster I didn't know I needed.

A prodigy grows into his art
Interview"It's like when you meet a love for the first time and for the first two months it's ecstatic love. That's what I need to do with my music and with roles; to have that spark at all times because it's what refreshes me."

The rapture and troubles of Egyptian Helena
ReviewThe plot is rather fantastical even compared to some of Strauss' prior works, to the point that I would almost be tempted to call it hallucinogenic: Helen and Menelaus find themselves washed up on an island where a sorceress enchants Menelaus to fall in love with Helen all over again.

Talking with composers: Mark Grey
Interview"Getting my hands dirty planting the earth, tending to the land with a chainsaw, baking and brewing, reading, and maybe driving up the Highway 1 coastline will ultimately blow out any cobwebs. Also, long walks and hikes really get my ideas flowing."

Classic & lavish: Faust at ROH
ReviewHe subjects Faust to a writhing, grotesque circus; tormenting him with visions of a pregnant Marguerite, and a dead Valentin. Schrott is maniacal and callous, delighting in the pain of others and becoming more despicable every moment he is on stage.

Very light indeed: The Mikado in the Midwest
ReviewThe comedy of this silly, convoluted plot is no longer dependent on racist stereotypes, imagery and impersonations; instead it forces the players step up to the plate and be imaginative.

A timeless treat: Manitoba Opera's Barber of Seville
ReviewThe highly engaged audience was obviously enthralled with all elements of this production, laughing uproariously at onstage antics and giving hearty applause where appropriate (including at one especially effective lighting gag).

Disturbing & fascinating: Les enfants terribles in Omaha
ReviewThe dynamics between the siblings made me uncomfortable in a variety of ways. There were sexual undertones spliced in with disturbingly infantile antics. Clearly everyone in this opera needed to go to therapy.

Light and frothy Fledermaus brought new translation
ReviewIn this regard, this adaptation takes advantage of every possibility of its updated New York setting for jokes. Rosalinda, for instance, is a star on an obvious Real Housewives knock-off in New York, and thus her husband's arrest and trial is very high-profile.