Konstantin Krimmel: a commanding presence
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A staggering team effort: Star Wars in concert
ReviewThe crowd, full of fans of all ages, shared a level of love and nostalgia for the work of John Williams and George Lucas that rivals opera fans' loyalty to Verdi and Wagner.

The introvert's dream: going solo at the opera
HumourIt's a silly thing, but even the most hardcore of introverts struggle with the idea that while they sit happily alone at a table or in a movie theatre, the people around them will notice and think they're a weird loner.

Florencia en el Amazonas takes on a life of its own at HGO
ReviewMartínez's inimitable dulcet vibrato tones had a way of embodying the butterflies into which her character eventually transforms. Anybody wanting an avenue to approach this opera would do well to begin with her music, which offers this opera's most audible links with the traditional Puccinian repertoire which is her specialty.

Constructive frustration from ROH's Queen of Spades
ReviewI think it is a good thing to have my sensibilities questioned. An opera score does not always need to be taken at face value and can be up to individual interpretation.

Opera + art = storytelling: a must-see event at Boston's Gardner Museum
Interview"The stories of Lucretia and Virginia, gruesome and tragic, were seen by audiences of the Renaissance as stories of women's battles against tyranny. These stories of these women's heroic battles seem particularly apt and poignant at present. Botticelli's paintings illustrate these alarming and urgent stories with vividness."

Haroun and the Sea of Stories a surreal, timely treat
ReviewIt is always tricky to adapt a book about storytelling to any medium outside of the written word, and it is even more difficult when you deal with a work which wears its political overtones like a badge of pride.

Uneven Scarlet Ibis Meditative To A Fault
ReviewUnfortunately, Weisman's score does not always meet the standard that Cote sets. The issue is that Weisman's music is often relatively one-note if something of little dramatic import is going on.

Familiar stories: Hook Up
EditorialComposer Chris Thornborrow, librettist Julie Tepperman, and director/dramaturge Richard Greenblatt, dare to tell an uncomfortably familiar story that, today, is full of the themes that permeate every news story and piece of media we consume.

A long-standing tradition: La traviata at ROH
ReviewSitting in the audience, I had the feeling I was part of a long standing tradition, one that dates back to 1858 when the opera was first performed at Covent Garden.

Charlie Siem: "Music is about sharing and healing."
InterviewSiem's concert is part of TUCCA's ongoing Music for a Cure concert series, which has traveled internationally, and comes to the UK for the first time in collaboration with INCTR and CARF-UK.