The voice teacher series: Betsy Bishop

Interview

"My singers, being older, have a different need for honesty. I don't think it is ethical for me to pronounce judgement on their potential, but I do think I should point out difficulties that might put a career out of reach for them."

"Requiem for a Lost Girl is based on a true story."

Interview

"The tragedy of her death and stigma that surrounded it is still with me. This experience is how I found my way into the themes of this piece."

Distractions & indifference: Opera Omaha's Medea

Review

Cherubini's music suggests that Medea is going out in a blaze of remorseless glory, but nothing manifested in the staging to support this. I wanted to either hate Medea or cheer her on, but I was left feeling indifferent and unsatisfied.

Pacific Opera Victoria's steampunk-meets-fantasy Rinaldo

Review

As they fall asleep, the magical characters of Rinaldo are transported into their living room to enact the story to the children's delight. It's one part steampunk, one part fantasy movie, one part 50s B-movie, and 100% delightful.

Braid "brilliant" in Tosca role debut

Review

Her performance was made more exquisite by the fact she sang the whole aria on the floor, often in positions that would make most voice teachers and coaches cringe. And yet, her sound never suffered, maintaining her presence well above the swell of the orchestra, in nothing short of a world-class performance.

Talking with singers: Sara Duchovnay

Interview

"In addition to emotional support, I want to be able to provide members of my community with opportunities for financial stability so they can get out of unhealthy situations, whether they be unhealthy relationships, less-than-ideal living situations, or jobs that don’t enhance their careers."

MetroWest Double Bill Provides Thrills & Delights Despite Mismatch

Review

Of course, sometimes the trickiest part of finding a pair of operas to form a double bill with is finding the links between the two works to be presented: after all, an operatic double-bill is only made stronger with the right pairing of works to perform.

The voice teacher series: Arianna Zukerman

Interview

"I won't give anyone false hope - there are those singers who don't have what it takes but it's not for me to tell those people. That's a very hard-won lesson that sometimes only comes from putting yourself "out there" and seeing where you stack up."

The voice teacher series: Jennifer Casey Cabot

Interview

"Breath support is the foundation of everything we do as singers, so it is a constant focus in my studio to understand and integrate buoyancy, appoggio and breath pacing mastery."

Edmonton Opera delivers imaginative, inspired Don Giovanni

Review

If love is the soul of genius, as Wolfgang Amadeus Mozart once said, what would that make lustful abandon? In the case of one of opera’s best-known "bad boys", a fiery eternity of damnation.