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A luminous Lucia at Florida Grand Opera

A luminous Lucia at Florida Grand Opera

Soprano Haeran Hong in the title role was superb. Her performance from start to finish was a spellbinding display of virtuosity and musical imagination; her mad scene cadenza felt effortless, almost improvised. She captured a range of emotion and colour to rival the soaring range of notes — flawlessly executed — that comprise Donizetti's challenging score.

Carly Gordon
Talking with composers: Mark Adamo

Talking with composers: Mark Adamo

What's your style?" is a famously unanswerable question. I can certainly talk about values, which other opera creators may share, or not. Certainly I'm a composer who would rather give the illusion of working in close-up, rather than longshot; by which I mean that I want my music to sound as if it is inflected — no, as if it is generated — by the character who's singing it, rather than generated by some preconceived orchestral plot or procedure.

Jenna Simeonov
Persona and the Sounds of Silence

Persona and the Sounds of Silence

It's Alma, played by mezzo-soprano Crider who must carry the show on her musical shoulders and she delivers a stunning performance, both as singer and as actress. Crider doesn't miss a beat capturing the emotional complexity of Alma's character while traversing the complexity of Keeril Makan's score.

Loren Lester
Emotional nights with the TSO

Emotional nights with the TSO

AFGHANISTAN: Requiem for A Generation was not only a solemn concert to remember those men and women who have served, and just as importantly - continue to serve, in our Armed Forces, but also to remember those whose lives are touched by war. It was equal parts celebratory for our freedoms, respectful that we still have a way to go, and reverent to those who have gone before us.

Greg Finney
Thomas Paine in Violence "must be witnessed."

Thomas Paine in Violence "must be witnessed."

Enthroned eight feet off the ground, she presides like an oracle. Below is bedlam. Four hyperactive, dapper, brown men run her subconscious. The "Manchorus" (played tirelessly by Paul Pinto, Andrew Mayer, Christian Luu, and Eddie Rodriguez Jr.) frenetically shuffles about, sharply turning and gesturing, maneuvering papers, tables, panels, electronics, and punctuating Paine's speeches with tight, high, vocal stabs for dramatic and comedic effect.

Jeremy Hirsch
Ryan McKinny: Modern meaning in a Gold Rush-era opera

Ryan McKinny: Modern meaning in a Gold Rush-era opera

"I know it's expensive to put on opera and we want people to buy tickets, but to me the success of a piece lies in its ability to touch people deeply and open their eyes to a new perspective on themselves and the world. To that end, I think you need artists who are not only great at their craft but also give of themselves totally and have insight into the state of being human."

Jenna Simeonov
"Truly gripping": Die Walküre at Lyric Opera of Chicago

"Truly gripping": Die Walküre at Lyric Opera of Chicago

This is a dark and ponderous tale that is driven by the psychologies of the handful of principal characters who share between themselves several lengthy dialogues. Wagner's worlds are inherently immense and overly ambitious (that is, garish) productions of his Ring in particular merely distract.

Michael Pecak
An extended mad scene: Glory Denied

An extended mad scene: Glory Denied

This work does succeed in its desire, as the composer explained in a talkback, to give an idea of the angst of the time period for the current generation, and it does successfully highlight the plight of disregard for veterans' care that casts a pall over the legacy of our great nation.

Andrew Schneider
Overdue for a Chicago performance: The Haunted Manor

Overdue for a Chicago performance: The Haunted Manor

I must confess a certain bias on my part for this opera. As both a Chicagoan and fellow Pole, this opera has had a special place in my heart since my childhood. I grew up with its melodies and rhythms and came to appreciate its historical significance in Polish Saturday School. Naturally, I was thrilled to learn of a Chicago production.

Michael Pecak
Sleek storytelling & costly illusions: WNO's Alcina

Sleek storytelling & costly illusions: WNO's Alcina

Is the cold harsh truth better than a comforting lie? That is the question asked by Handel's Alcina, an opera filled with lies and illusions; the beauty of Alcina's island, Bradamante's disguise as Ricciardo, and Ruggiero's enchanted love for Alcina are all falsehoods whose exposure have serious emotional consequences for the characters of this story.

Molly Simoneau

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