Carlo Bosi is one of the greatest comprimario Tenors of his generation, highly requested by theatres and festivals both in Italy (Teatro alla Scala in Milan, Opera di Firenze, Teatro Comunale in Bologna, Rossini Opera Festival in Pesaro, Arena di Verona, Teatro Regio in Turin and Teatro Carlo Felice in Genoa, just to mention a few) and internationally (i.e. Grand Théâtre de Monte Carlo, Grand Théâtre de Genève, Teatro de la Maestranza in Sevilla, De Nationale Opera in Amsterdam, Opéra national de Paris, Royal Opera House in London, Festival Internacional de Santander and The Israeli Opera in Tel Aviv).

His repertory includes: Normanno in Lucia di Lammermoor, Un Messaggero in Aida, Flavio in Norma, Dottor Cajus in Falstaff, Trabuco in La forza del destino, Cassio in Otello, L’Incredibile in Andrea Chénier; Monostatos in Die Zauberflöte, Basilio in Le nozze di Figaro, Guillot in Manon, Pang in Turandot, Parpignol in La Bohème, Goro in Madama Butterfly, Spoletta in Tosca, Danieli in I Vespri siciliani, Tinca and Gherardo in Il Trittico, Edmondo in Manon Lescaut, Remendado in Carmen, Araldo in Don Carlo, the four tenors in Les contes d’Hoffmann, Poisson in Adriana Lecouvreur and Il Gran Sacerdote in Idomeneo.

His recent and future engagements include: Le nozze di Figaro in Paris and Milan; Evgenij Onegin in Turin; Aida, Nabucco, Traviata and Roméo and Juliet at Arena di Verona; Madama Butterfly, Andrea Chénier and Adriana Lecouvreur in Paris again; Madama Butterfly and Andrea Chénier in London; La Fanciulla del West in Milan; Falstaff at MET in New York, in London, Amsterdam, Milan and then on tour in Japan with Teatro alla Scala; Carmen in Naples and Turin, Trittico in London, Madama Butterfly in Orange.