“A suave, fine-grained baritone” (Boston Globe), Hong Kong born, Toronto-based singer Keith Lam (he/him) recently made his European debut in Soundstream’s staged production of Claude Vivier’s Musik für das Ende. He is also appearing the film adaption of the a cappella opera Sweat, reviving the role of the Boss, which is expected to be released late 2022.

He has worked with companies such as Canadian Opera Company, Tafelmusik, Tapestry Opera, Opera Five, Bicycle Opera Project, Toronto Operetta Theatre, and Jeunesse Musicales.

He was the audience prizewinner at the Classical Music Consort Handel Competition, finalist at the 2013 Cathedral Bluffs Symphony Orchestra Competition, and placed third in the 2014 NYCO Mozart Vocal Competition. He is an alumnus of the Aspen Opera Theater, Banff Centre’s Opera as Theatre program, Opera NUOVA, Highlands Opera Studio, and the Tafelmusik Baroque Institute.