Honestly, in that scene where Mr. X.E. takes a cleaver to the angels' wings, I think I had an "aha" moment. I thought I'd experienced that thing where the story is excellent and the music makes it even more excellent, but this moment was something else entirely.
Instead, composer Olga Neuwirth chose Woolf’s Orlando, her often funny faux-autobiography about a young nobleman in the court of Elizabeth I who awakens one morning as a woman and proceeds to roam about time and space for the next 300 years.
I felt like I was actually in a garden surrounded by drooping blossoms, or actually at the opening of a cavernous hole. Throughout I got the sense that this was a production that put a great deal of effort into engaging the senses all at once and imparting an aura of wonderment.
Some variant of this sentence appears in many a history textbook at some point, but only rarely can it hope to make the sheer impact that Marian's Song did in Houston Grand Opera's world premiere performance.
Under the assured baton of conductor emeritus Leslie Dala, the program brought together the young professional-level orchestra with the veteran vocals of amateur Vancouver Bach Choir, along with four professional soloists, and featured a delightful performance of Concerto No. 4 by Ian Parker at the keys
This production doesn’t need that dumpster fire when it can rummage through an abundance of its own trash. Quite simply the elephant is an acknowledgment that bad behavior by people in power is timeless.
This performance of Mozart’s Così fan tutte marks the start of English Touring Opera’s spring tour which will also feature Handel’s Giulio Cesare as well as Bach’s St. John Passion in an impressive eighteen cities across the country. ETO’s extensive tours are the direct result of their clear mandate which is to bring accessible opera to cities and theatres across England where it would otherwise not be performed.
Amid performing arts circles, regardless of genre, it's almost too raw for someone who hasn't "made it" to discuss why they "failed". It's easy for us to digest wistful stories of bad producers or embarrassing live shows when they come from the super-famous, like the humbling anecdotes offered to fans by the Taylor Swifts and Lady Gagas of the world.
In Flight, the characters arrive at the airport one by one, en route to their various destinations, and bringing their various problems with them. As all flights are cancelled due to a huge storm, and the passengers are stranded in the airport, their problems come to the forefront and are highlighted by each character in turn.
The opera provides two alternative voices to reveal the complexities of du Pré's personhood; music written for the voice in a way reveals her public personality, along with hear-say gathered from relationships and journals, while music written for the cello presents a quieter inner voice, the private room of her spiritual thoughts.